非你莫属
书名:拜托小姐|作者:笑无语|本书类别:古言|更新时间:10:42:00|字数:3896字
一 |

Systematic analysis conducted by the institute of pottery wares dating back to the Pingcheng period of the Northern Wei Dynasty (386-534) has identified distinct foreign cultural and technological elements embedded in the craftsmanship and material composition of the unique artifacts, shedding fresh light on ancient Eurasian cultural integration.
Established by the Tuoba Xianbei ethnic group, the Northern Wei Dynasty designated Pingcheng, present-day Datong city in Shanxi Province, as its capital from 398 to 494. For nearly a century, the city served as a pivotal multicultural hub where Xianbei nomadic culture, Central Plains Han culture and diverse Western Regions civilizations converged and interacted, according to a report on Chinanews.com.cn.
Archaeological excavations at multiple tomb clusters in Pingcheng, including the Dongxin Northern Wei cemetery and the Qilicun cemetery, have yielded a total of eight pieces of glass-inlaid glazed pottery. Though far fewer in number compared with common glazed pottery figurines and painted glazed wares, these artifacts feature an extremely rare inlay technique unseen elsewhere in the developmental history of Chinese ceramics, according to the press release.
Given the exceptional rarity and good preservation of the relics, researchers selected four representative pieces for comprehensive laboratory testing and material analysis. The results show that the glass inlays are primarily soda-alumina glass, most likely produced by remelting trade beads from the Indian Ocean and Pacific regions, a key commodity in ancient maritime and overland trade networks.
The findings confirm that Pingcheng maintained frequent cross-border trade and cultural communication during the Northern Wei era, with access to glass raw materials sourced from diverse overseas regions. The varied compositional characteristics of the inlaid glass provide crucial clues for studying ancient glass-making technologies, raw material circulation and long-distance trade routes in ancient East Asia, the press release noted.
Beyond material composition, the artifacts also embody prominent cross-cultural innovation in design. Their decorative motifs draw heavily on gem-encrusted gold and silver wares of the Sasanian Persian Empire, while integrating artistic elements from other Eurasian regions. The blended design styles reflect the era's prevailing trend of multicultural fusion and creative assimilation of foreign civilizations.
Archaeologists noted that the glass-inlaid glazed pottery represents an innovative technological achievement crafted by Northern Wei artisans who absorbed and refined foreign techniques and aesthetics. The distinctive craftsmanship and stylistic features of these wares exerted a far-reaching influence on ceramic production in surrounding regions and subsequent dynasties, marking a vital chapter in the evolution of ancient Chinese ceramic art.
The research underscores that ancient China's northern borderland was not an isolated cultural enclave, but an active node in Eurasian cultural and trade exchanges, where foreign elements were localized and innovated to form unique regional civilizational achievements, archaeologists from the Shanxi Provincial Institute of Archaeology said.
。
8月23日,第二届世界人形机器人运动会迎来首个完整比赛日,在国家速滑馆“冰丝带”内,多个赛区相继开赛。连续两年参赛的墨西哥机器人足球队队员在接受凤凰卫视记者采访时表示,中国机器人技术目前处于世界前沿,期待未来能和中国团队开展更多合作。

二 |
自动播放
凤凰卫视记者:“你如何评价中国机器人技术的发展?”墨西哥机器人足球队队员:“中国机器人技术目前处于世界前沿。我认为,世界上还没有其他国家达到这样的效率水平。”凤凰卫视记者:“你们未来会考虑与中国开展合作吗?”墨西哥机器人足球队队员:“当然,我认为中国团队是最优秀的。”凤凰卫视周乐晗、刘健 北京报道



